This week I got to participate, vicariously, in a book launch on Amazon’s Kindle Direct Publishing (KDP).
Many, if not most, independent authors already know about KDP, which is the dominant platform for indies.
I tried it myself as a possible platform for a collection of short “Living Here” essays, but decided to hold them for a rewrite. So when ShawnaLee Waterbury-Kwashnak, an artist (and now author) friend, asked about quick and professional ways to publish her first book, I suggested KDP. Together we spent two weeks with back-and-forth emails hammering out the final details. In doing so, she learned about book publishing and I learned about art. Win-win.
I also took the opportunity to visit an exhibition of the artist’s works at the Kellogg Environmental Center in Derby, Connecticut. It’s important for an editor or collaborator to get to know as much as possible about the subject — and the collaborator — as possible. Plus, it’s a good exhibition! It’s open through the end of December.
She submitted the book to KDP late on Wednesday. I was able to order a copy on Friday morning. It arrived at my doorstep Sunday morning before we left for church.
That. Is. Fast.
Because I had already read the 40-page book several times over, I was able to submit a review even before I’d received the book. The review took about three weeks to post, but here it is. Amazon is careful about its reviews and reviewers to avoid stuffing the ballot box. When I know an author, I am always careful to say so. This is the first time I also was a contributor to the book I was reviewing, and I said so. That may be why the Amazon moderators took their time.
(For the record, I gave it 4 stars. It’s a strong first effort, but we were both on a steep learning curve and the subject matter will be mostly of interest to the artist, her students, and their friends and families.)
A different recipe
It’s the second book I’ve edited for a friend. The first was “RECIPES FOR A GOOD RIDE: The Toymaker’s Cafe Cookery Book,” published two years ago by a small press. This was a project by the owners of a small restaurant in northwest Connecticut that was popular with motorcyclists.
That project involved three authors (the two restaurant owners and my friend, a motorcycle and travel writer) and a book designer/typesetter. I was the proofreader, but soon discovered that everyone had a different take on style. So as part of the proofreading process, I made extensive style notes to the typesetter.
That one took about four months from the time I sent the copy to the designer and the time the book arrived in my mailbox (via motorcycle). Everything came out all right in the end, but this was a case of too many cooks spoiling the broth.
In other news this week, I pressed on with my work about the Bubble Wrap back story, which is turning into a series of blog posts. I think I’ve figured out how and approximately when Marc Chavannes and Alfred Fielding first started working together. I also had the fun of writing my father’s biography, with details I had never known.
That project is taking longer than expected, but I have a slight reprieve on my deadline. My interview with The History Channel will now be sometime in January. I should be well-researched and well-rehearsed by then.
In case you missed it …
Reading Time: 2 minutes I didn’t have the necessary devotion, interest, motivation, or drive to continue my legal studies. Had I subconsciously decided not to return to the law?
Reading Time: 2 minutes Biking through the countryside gave me a new view of the paper’s coverage area, and time to think about the stories I wanted to tell.
Reading Time: 2 minutes Does a reporter create a conflict of interest by accepting publicity work from the subject of a story? It could have become a tangled web.
Reading Time: < 1 minutes As a writer, I should care more about what other people think and less about what they think of me.